How To Play Great Fingerpicking Guitar--Even If You're All Thumbs!

Chapter 3

TABLATURE, THE COST-EFFECTIVE ALTERNATIVE


I mean, really! Isn't life to be enjoyed?

Who needs all the above (see EVERYTHING YOU'VE ALWAYS AVOIDED ABOUT READING MUSIC)?

Why program in machine language when you can use WordPerfect (or hire a word processor)?

Well, what if I now offered you an easier, more direct route to reading notes just for guitar? It's called Guitar Tablature.

Who knows? Maybe it'll save you megabucks you might otherwise spend screaming on your shrink's couch,
trying to read the guitar music to, say, Come Back Baby.

TABLATURE trades in some of music's more precise musical annotations for more direct readability (unlike this sentence).

Tablature adds a sixth line to the five of the music staff. Now we have:

I add a stem on it if I need to define its time duration.

IF THERE'S NO STEM TO INDICATE DURATION, IT'S A QUARTER NOTE

The LOWEST line on the tablature grid is the "FAT" 6th guitar string.

The line right above it is the 5th string (the "A" bass string), and so on up to the top line of the tablature grid.
This "top" line equals the guitar's skinny "E" string

So:


top string-------------------------------(Skinny, or 1st String)
-----------------------------------------(Next, or 2nd String)
-----------------------------------------(3rd String)
-----------------------------------------(4th String--Bass)
-----------------------------------------(5th String--Bass)
bottom string----------------------------(6th, or FATTEST String)
Remember: the lower sounding notes are written on the lower lines because they're heavier.
[Even though you hold the guitar with the fat strings on top, don't confuse tablature with this.]

So how do you play the notes? (i.e., numbers):

Now let's look at two chords expressed in tablature: a D chord and a G chord:


          (D)                      (G)
-----------2------------------------3------------------------
-----------3------------------------0------------------------
-----------2------------------------0------------------------
-----------0------------------------0------------------------
------------------------------------2------------------------
------------------------------------3------------------------
Note the following about the above two chords:
The D chord: you don't finger the fattest two strings--its bass note is the Open 4th string.
Thus the bottom two lines aren't used--so no numbers are on them!
However the G chord uses ALL six strings; that's why it has six numbers-- including the strings played open (the zeros).

REMEMBER: the LINE = STRING, and the NUMBER = FRET

Incidentally, those little chord names above the chord tell you to play the "normal"
(or folky) form of that chord at that point in the piece.

As you learn other versions of these chords, I'll indicate them with unique names, such as "new" or "weird."

See the Appendix Normal Chords to review the standard Folky chords.

You won't always be using the basic chords...it's helpful to know that the "odd new chord" you're playing
is replacing a basic chord.

How to indicate what fingers to use? This way:

I use CAPITAL letters for the left hand (and, rarely, lower-case letters for the right hand). For example, using a C chord:


     (C)

------0--------------------   this says:"use the Left
------1-----I--------------   Ring for the bass on the
---------------------------   fifth string, and the Left
---------------------------   Index on the second string
------3-----R-------------    first fret"
---------------------------
By the way, certain RIGHT HAND fingers usually play certain strings on the guitar:
  1. Your Right Thumb has first crack at the "Bass" notes (the ones on the three thick, metal-wrapped strings. They're called the 4th, 5th and 6th strings)
  2. The THIRD string is played with the RIGHT INDEX
  3. The FIRST string--mister "teeny weeny"--should be played with either the RIGHT MIDDLE or RIGHT RING

Read the pieces from left to right, just like text.

In Chapter 4, I'll use the tablature to start you on fingerpicking patterns.

As you move on to harder pieces in the book, you'll be glad tablature is so well-suited for the guitar.

This chapter © 2014 by Andrew D. Polon. All rights reserved.

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More info/contact Andy: www.andypolon.com/index.html